Posts Tagged ‘pop music’

Style Wars

Friday, August 7th, 2009

Has everyone seen this movie but me?  I had to watch it for my summer class, “Dynamic of the City.”  Here’s why you should watch it too:

  • Lush, defiant, sprawling urban murals. Or, if you prefer, graffiti.  I’ve never seen anything like it.  Regardless of your personal preference, you have to admit it’s refreshingly beautiful.
  • Old-school hip-hop. Before it was all about drugs, misogyny and cop-killing, it was about style.  Several students agreed that if rap still sounded like this, we’d be listening.  Many of the tracks are spliced with footage of break-dancers, another lost art form that has disintegrated into sex and violence.  (And the deadpan voice-over about “rocking your body” is priceless.)
  • A sense of loss. I felt slighted that this movement had come and gone before I was even born (or at least old enough to appreciate it.)  I’m not sure how it ended except by a crackdown of security on the train yards.  The saddest part was watching the taggers turn into entrepreneurs, searching for a way to prolong their creativity — they suggested a supervised program of train murals with the public voting on which designs it preferred.  It was a great idea, but the MTA scoffed at it and the two retreated to their opposite corners to gear up for the next fight.

Every once in awhile we have a chance to reconcile opponents, to de-polarize opinions, to hold up what we have in common instead of what we disagree about.  Shame on us for looking the other way.

The Inauguration and the Arts

Tuesday, January 20th, 2009

I wasn’t going to cheapen the historic moment of the Inauguration by a cultural critique, but when I talked to Rob just now, he said, “Did you hear Aretha Franklin?”

“Yeah, she was okay,” I said.  “A little showboat-y.”

“What do you mean? She was awesome — way better than that Yo-Yo Ma trio!”

“Quartet!”  I corrected him.  “And no way.  Aretha Franklin is most famous for demanding respect — Yo-Yo Ma is a world-class cellist, and Itzhak Perlman is universally acclaimed as one of the most accomplished violinists of our time.  Their music is moving.  And it was so American — a classic Shaker melody immortalized by one of our greatest symphonic composers, arranged by the composer of some of our most popular cinematic themes, with a nod to the roots of jazz in their choice of a black clarinetist and an improvisational pianist — how can you not appreciate the musical significance of all that talent?”

There was a long silence.

“So, do you still want to go see Mamma Mia next time we go to New York?”

Point taken.  I guess there’s no accounting for taste.

Aas long as I’m dissecting the moment, I want to say a word about poetry.  I hadn’t heard of Elizabeth Alexander before today, but her name sounded regal enough that I thought she might be classy.  She did read with distinction and simplicity (no convoluted theatrics a la Maya Angelou) but I was disappointed in the lack of rhyme and meter.  (Here’s the text.)  Why has modern poetry disintegrated into babbling sentences that take no note of grammatical rules (“the glittering edifices they would then keep clean and work inside of”)?  Come on, real poets.  I know you’re out there somewhere.

For eloquence, Dr. Joseph Lowery far outdid her in his prayer of benediction.  His glib little rhyme at the end merely tarnished what was an incredibly thoughtful and insightful opening, which quoted from “Lift Every Voice and Sing” before continuing on to preach repentance and humility — two themes I also heard in the opening prayer and the president’s speech itself.

What a thing, if the American people were to suddenly take responsibility for poor choices and bad decisions — and then to ask forgiveness and pledge to change their ways.  I can’t believe I’m seeing it.  I hope it’s not just talk.